Intro: m4—for cello solo

m4—for cello solo a set of four
frames for virtuoso solo instrument . . .

clip of m4

| go to scores of I: | 1 | 2 | II: | 1 | III: | 1 | 2 | IV: | 1 | 2 | 3 |

| NEW: download MP3 of a performance model of m4: frames I-IV [c. 9' 10" 2.1 Mb]

| NEW: Download PDF of m4: for solo cello I-IV (Portable Document File) |

| listen to a m4: frame I: nightwind; IV: ridgewalk (REQUIRES QuickTime) |

About m4 and frames

Instead of a cycle of movements which characterizes the other Star Cycle compositions
for solo instruments, one might best think of m4 as something more like a set of frames.
Frames are what I think of a 'windows' on, or snap shots off, different qualities of
musical movement. In this regard, frames are rather shorter and more fragmentary
than movements, but at the same time are more suited for exploring a wider diversity
of new ideas. One might think of them literally as a collection of photos from a wild
place which are tossed as it were upon the performance table. We see a new species
of plant here, an outline of a fearsome animal there, even perhaps a hint of free running
white water. So in a way, one can pick up any frame or window one feels attracted to and
set to work.

The first frame of m4 featured here introduces the set with a wildly fast and rugged
stream of musical figures which unfolds within a non-stop, forward-driving tempo.
There is a marked contrast between the complexity of what one hears, on the one
hand, and the relative simplicity of the notation on the other. This is because we hear
a stream of serpentine movement, moving in unexpected ways over the entire instrument.
But the notation slows this down, so to speak, visually, by using a neutral 4/4 meter
to structure the whole, which, although it does not change, is very fast. The quarter
note here equals 150 beats per minute. This means that the temporal resolution
the performer must deal with here is very high in deed, as is the density at an
average of about 10 sounds per second (Sps). Besides its simplicity, the great
advantage of this style of notation is that one can begin very slowly and gradually
with practice work on getting the tempo faster and faster while at the same time
not sacrificing any rhythmic precision.

About the rhythmical
ground of change

This first frame of m4 is based on a very general, and, to my way of looking at
musical movement, important concept, ie, that of a rhythmical ground. The basic
idea here is this:

underlying all movement is a kind of implicit, non-manifest, generative
ground which contains within it all possible details of rhythmic pulsation.

Briefly, the sketch below shows all these pulses as we might think of them
(or hear them) going on at the same time.

The dominant stream is the red one, in the middle; it is notated
in groups of four fast, steady pulses.

Above and below this red layer is a stream of 5 and 6 (faster),
and 3 and 2 (slower).

Now, what happens in the course of the music is that the 4-stream from
time to time flips out of its groove and runs a 5 or 6, or slips and steps
into a slower 3 or 2.

The image of movement in the natural world this calls to mind is perhaps
that of running a fast-flowing stream in a raft. We flow along constant
for a while, then encounter eddies and whirlpools, hit rocks,
stretches of slower water and what not.

Here is what a sketch the rhythmic ground might look like:

And here is a sketch of a single stream emerging from the ground,
pulsing in 4's with one faster group of 5's:

And here is a sketch of a more complex stream, getting faster and slower around
the steady stream of 4's:

And lastly, this is how the above sketch looks after converted into musical notation:

| listen to computer model of m4: frame I: nightwind |

m4—frame II: entrance
an elegy . . .

m4—frame III: dialogue
a dramatic duo . . .

m4—frame IV: ridgewalk
a new kind of counterpoint . . .

| go to scores of I: | 1 | 2 | II: | 1 | III: | 1 | 2 | IV: | 1 | 2 | 3 |

| NEW: download MP3 of a performance model of m4: frames I-IV [c. 9' 10" 2.1 Mb]

| NEW: Download PDF of m4: for solo cello I-IV (Portable Document File) |

| listen to a m4: frame I: nightwind; IV: ridgewalk (REQUIRES QuickTime) |

| Other websites by Cliff Crego: picture-poems.com Picture/Poems;
Also: The Poetry of Rainer Maria Rilke | Dutch Poetry r2c |

Created and maintained in Northwest Ohio, USA.
(IV.15.2001) (last update: VII.20.2003)
Questions regarding performance
materials to score-info@cs-music.com;